Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Here are all the paintings of James Peale 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
74405 Ambush of Captain Allan McIane James Peale Ambush of Captain Allan McIane "The Ambush of Captain Allan McIane," oil on canvas, by American artist James Peale. Courtesy of the Utah Museum of Fine Arts. Date 1803 cyf
60031 Anna and Margaretta Peale James Peale Anna and Margaretta Peale Anna and Margaretta Peale
60027 Fruits of Autumn James Peale Fruits of Autumn James Peale's oil painting 'Fruits of Autumn'
60029 George Washington James Peale George Washington George Washington
60026 Honolulu Academy of Arts James Peale Honolulu Academy of Arts Still Life, oil on panel painting by James Peale, c. 1824, Honolulu Academy of Arts
67045 James Peal s oil painting Fruits of Autumn James Peale James Peal s oil painting Fruits of Autumn Description James Peal's oil painting 'Fruits of Autumn'.jpg James Peale's oil painting 'Fruits of Autumn', 39.3 x 55.9 cm. Date ca. 1829
4268 Madame Dubocq and her Children James Peale Madame Dubocq and her Children 1807 J B Speed Art Museum
60032 Portrait of Margarette Peale James Peale Portrait of Margarette Peale Portrait of Margarette Peale
72641 Portrait of William Young James Peale Portrait of William Young "Portrait of William Young," oil on canvas, by the American artist James Peale. 1817(1817) cjr
74403 Portrait of William Young James Peale Portrait of William Young English: "Portrait of William Young," oil on canvas, by the American artist James Peale. Date 1817 cyf
85129 Sir Peter Parker's Attack Against Fort Moultrie James Peale Sir Peter Parker's Attack Against Fort Moultrie Medium Oil on canvas Dimensions 20 x 30 in (50.8 x 76.2 cm) cjr
79722 Still Life James Peale Still Life oil on panel painting by James Peale, c. 1824, cyf
4269 Still Life Balsam Apple and Vegetables James Peale Still Life Balsam Apple and Vegetables The Metropolitan Museum of Art, New York
4270 Still Life with Balsam James Peale Still Life with Balsam 25 in x 19
44064 Still Life: Balsam Apples and Vegetables James Peale Still Life: Balsam Apples and Vegetables 1820 Oil on canvas, 51,4 x 67,3 cm
72643 The Ambush of Captain Allan McIane James Peale The Ambush of Captain Allan McIane "The Ambush of Captain Allan McIane," oil on canvas, by American artist James Peale. Courtesy of the Utah Museum of Fine Arts. 1803(1803) cjr
60030 The Artist and His Family James Peale The Artist and His Family The Artist and His Family
96863 The Artist and His Family James Peale The Artist and His Family oil on canvas. Courtesy of Pennsylvania Academy of Fine Arts. Date 1795(1795) cyf
71712 The Ramsay James Peale The Ramsay James Peale's oil painting 'The Ramsay-Polk Family at Carpenterxs Point, Cecil County, Maryland, 125 x 100 cm. ca. 1793
60028 View on the Wissahickon James Peale View on the Wissahickon View on the Wissahickon

James Peale
1749-1831 James Peale Galleries James Peale (1749 ?C May 24, 1831) was an American painter, best known for his miniature and still life paintings, and a younger brother of noted painter Charles Willson Peale. Peale was born in Chestertown, Maryland, the second child, after Charles, of Charles Peale (1709?C1750) and Margaret Triggs (1709?C1791). His father died when he was an infant, and the family moved to Annapolis. In 1762 he began to serve apprenticeships there, first in a saddlery and later in a cabinetmaking shop. After his brother Charles returned from London in 1769, where he had studied with Benjamin West, Peale served as his assistant and learned how to paint. Peale worked in his brother's studio until January 14, 1776, when he accepted a commission in the Continental Army as an ensign in William Smallwood's regiment. Within three months he was promoted to captain, and during the next three years fought in the battles of Long Island, White Plains, Trenton, Brandywine, Germantown, Princeton, and Monmouth. He resigned his army commission in 1779, and moved to Philadelphia to live with his brother. In 1782 he married, after which he established his own household and artistic career. (One notable later collaboration, however, was in 1788 to make floats for Philadelphia's Federal Procession in honor of the newly drafted United States Constitution.) At the outset of his career Peale painted portraits and still-life, and by the mid-1780s had established his reputation. At about this time, however, Charles turned over his own miniature portrait practice to him, and throughout the 1790s and early 1800s Peale devoted himself to miniature painting. Much of this work was watercolor on ivory. In 1795 Peale exhibited a still life of fruit along with nine miniatures and his family portrait at the Columbianum, a short-lived art academy in Philadelphia. Around 1810, as Peale's eyesight began to weaken, he gave up painting miniatures to turn to large portraits and still-life subjects that were greatly admired and widely exhibited in Philadelphia, Boston, and Baltimore. The total number of Peale's landscape paintings remains unknown, but he executed more than 200 watercolor miniatures on ivory, perhaps 100 still-life paintings, fewer than 70 oil portraits, and at least 8 history paintings. Peale died in Philadelphia on May 24, 1831. Three of his six children became accomplished painters: Anna Claypoole Peale (1798?C1871), a miniaturist and still-life painter; Margaretta Angelica Peale (1795?C1882), painter of trompe l??oeil subjects and tabletop fruit; and Sarah Miriam Peale (1800?C1885), a portraitist and still-life painter.
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